(W)rites of Passage: A Seasonally-Inspired Creative Writing Workshop Series
in Boulder, Colorado hosted & taught by author, Sarah Elizabeth Schantz
"You have every right to write."--Janet Burroway, from Imaginative Writing
(W)rites of Passage is a Seasonally-Inspired Creative Writing Workshop Series that meets four times a year in East Boulder at the instructor's home. Workshop leader and (w)riting midwife, Sarah Elizabeth Schantz, has an MFA in Writing & Poetics, and is the author of the novel, Fig (Simon & Schuster 2015). In addition to fiction, she writes lyrical essays and some poetry.
(W)rites of Passage has been hosting successful workshops, catering to both regulars and newcomers, since 2014. Spring of 2019 marked the 22nd series we have hosted and well over a hundred Saturday workshops!!! If you'd like to take the next workshop, click on the WORKSHOP tab above.
Our mission is to create community for writers by building and holding the diverse and safe studio space all writers need. (W)rites of Passage is a place to gather and daydream; a place to play; to revise and revitalize; to think about writing with other writers; and a place to write, write, write. To foster this writing community, and the third mind that arises from such a collective, space is limited to eight seats per Saturday. These fill quickly so register as soon as possible. You will receive a discount if you register for an entire workshop series, but the option to just take single Saturdays is also available.
Sarah's teaching style is akin to the work a midwife does when assisting someone in childbirth; her job is to inspire writers, to help them open the texts they hold within, and to trust their own process. She coaxes the writer into writing, and then she facilitates in the visionary process of re(vision). Novelist, Lidia Yuknavitch says, "The mistake is where the art is," and Sarah is equally interested in failure, and the potential to learn from it, to see what jumps forth when we go in to mend the wound or simply learn how to showcase it on the page. She encourages writers to step outside their comfort zones into the space where they will beat their own personal best. Just as Joseph Campbell believes in the power of myth, Sarah believes in the power of metaphor. She also believes in the need for ritual in writing and the necessity for writing rituals. Expect to dig deep: To wrap your hands around your own roots. To re-wild your imagination and expel your inner critic.
Again and again, we have witnessed the magic that happens in a collective writing space. In her exquisite book on writing fiction, Steering the Craft: A 21st Century Guide to Sailing the Sea of Story, Ursula K Le Guin says this about writing with others in a group: "The pressure often brings out excellent and surprising writing."
Experienced at teaching prose writers and poets alike, as well as writers working in different genres, Sarah can work with both the novice and the seasoned-writer. (W)rites of Passage has had the honor of working with award-winning novelists, widely-published poets, Pushcart Prize nominees, well-established performance artists, writing professors, and those just beginning to give birth to words. One might worry that this mix of writers working at different levels of craftspersonship could be problematic but we've found it doesn't have to be. One of the best ways to learn anything is to teach it; the more "advanced" writers not only help the beginners by providing them with their own expertise, the process of doing so then reinforces such lessons for the person providing them. Furthermore, beginners bring fresh raw energy to the space of writing and can help to re-awaken writers experiencing burn-out. Finally, the key to good writing is watching and listening to the world. Diverse workshops serve as a micro-cosmos of the greater human experience. (W)rites of Passage workshops are designed to benefit everyone. We will meet you where you are. You only need to arrive and be willing.
Each workshop series coincides with one of the four seasons, addressing particular themes that are either literally (or poetically) relevant to that time of year. Sarah has a vast collection of unique writing prompts and exercises, endlessly pulling them out of magic top hats or from enchanted trunks, haunted attic and cellar spaces, or her own bloody heart. We use Dada and Surrealist games such as erasure, cut-ups, and Exquisite Corpses, as well as collage, divination, sensory experiences, techniques for writing the body, treasure hunts, nature walks, Jungian-writing journeys, research, dreams, daydreams, mapping, meditation, visualization, and individual/community ritual to enter the text that is our/your story. Every Saturday has its own sub-theme and participating writers are given homework to be completed before each workshop. Actual Saturdays are spent together, as a group, discussing the topic, critiquing each other's work, and writing, writing, writing.
The workshops in the Spring and Summer are four weeks long whereas the ones in Fall and Winter are six. We meet on Saturdays from 11:00 a.m. to 2:30 p.m. Six-week long workshops are $300.00 whereas four-week long workshops are $200.00. Single Saturdays are $60.00 each. Writers who attend an entire workshop series also receive a 15-20 page critique of their writing. Each series culminates with a potluck/closing ritual/salon celebration, and anyone who participated (whether entirely or partially), is encouraged to attend. The salons take place on the same day of the last workshop of the series (after the actual class) from 2:30 to 4:00 pm.
Sarah is available to work with you on an individual basis. If interested, click on the "MORE" button to find the tab for "OTHER SERVICES" or email her at firstname.lastname@example.org. In addition to one-on-one coaching, Sarah will ocassionally do long-distance (W)rites of Passage workshops with writers who live out-of-state or out-of-country. Long-distance participants will receive writing assignments via email, scans of the readings for each week, as well as any prompts and exercises that can be adjusted accordingly; Sarah will send any and all critiques to the writer via snail mail or Google docs. If you are interested in doing a long-distance workshop please email Sarah at email provided above.
Each series offers limited scholarships and/or a sliding scale to writers who demonstrate need. For more information regarding financial assistance, please email Sarah at email@example.com. If you'd like to donate to the scholarship fund, please contact Sarah to make the necessary arrangements.